Tips for Singers

Jazz Singer

There aren’t too many hard and fast rules when it comes to singing. Most singers can feel and hear their problem spots. “If your voice feels good and sounds good, it probably is good. If it feels bad and sounds good, something is wrong,” says Jeannette LoVetri, director of The Voice Workshop in New York City.

As a voice instructor for more than 35 years, LoVetri knows a thing or two about getting the most out of your voice. Similar to musicians who play instruments, singers must make sure their technique is correct to avoid injury. “If you can’t make yourself sound good and feel good, go get help from a skilled singer or teacher,” says LoVetri. “If that doesn’t help, seek out an otolaryngologist or throat specialist and get examined right away. Vocal problems that are ignored can lead to serious issues down the road, both vocal and in general health.”

If you’re confident your voice is where you want it to be, there are still plenty of exercises you can do on your own to get optimal sound. LoVetri shares the following tips to ensure vocal health and improve pitch and range:

  1. Breathe Easy

    In order to breathe efficiently for singing, a vocalist has to have excellent postural alignment. The rib cage needs to be open, lifted, and strong, and the inhalation needs to go deep into the torso, as the lungs inflate downward and outward. The abdominal muscles should work to keep the chest lifted and open, but not be locked and hard. They should release slightly forward and down during inhalation. During exhalation, the ribs should maintain their lifted and open position through the sung sounds, while the abdominal muscles contract and lift in a slow steady way.

  2. Heads Up

    The head should be level, not in front of the torso. The legs should be shoulder width apart with the knees unlocked. The weight should be slightly forward over the balls of the feet and the spine should feel stretched long. The neck should be loose. The upper chest should remain lifted and open at all times, and should not rise during inhalation.

  3. About Face

    Your face works best when your mouth and jaw can open and close easily and freely, your facial muscles can move without tension, and your eyes are relaxed and alive.

  4. Relax, Just Do It

    Your throat should never squeeze, tighten, or feel tired or choked up when you sing.

  5. Practice Makes Perfect

    A good singer should practice for 30 to 45 minutes at least five times per week. The best way to avoid abusing your voice is to get some singing lessons with a qualified teacher who has a track record of success and solid knowledge of vocal function and health. The teacher should sound good when he or she sings.

  6. Timing Is Everything

    Always warm up before practicing. For someone in good vocal shape, 20 minutes is enough. A warm-up should consist of varied musical patterns that cover the full pitch range, using various vowels and consonants, long and short patterns of notes, and varied volume levels.

  7. Eat, Drink, and Be Wary

    There are no hard and fast rules regarding what you should or should not eat just prior to performing, but it’s best not to eat too much because a full stomach will interfere with inhalation. Generally, you should keep the vocal folds well hydrated at all times, which means drinking at least six to eight glasses of water per day. It might be possible to substitute herbal tea or flavored waters, but soda, coffee, and tea should be limited as they can have a diuretic effect.

  8. Start Your Engines

    Singers should warm up about an hour before going to the theater or venue, and hum lightly while at the venue until they go on stage. The warm-up depends on what you are singing. Warm up with the sounds you will sing in the performance.

  9. Play It Cool

    It’s useful to sing soft “cooing” OOs and AHS on low pitches for about five minutes after a performance as a cool down.

  10. Reach for the Stars

    If you wants to raise your vocal range, sing lightly, in an easy sound, allowing your throat to relax on the way up while gently putting more pressure on the muscles of the abdomen. If this is done carefully, it will help raise vocal range.

  11. Bring It Down

    If you want to develop your lower range, relax your throat as much as possible, allow the jaw to fall down, and sing sustained sounds like “ahhh” or “ohhh” at the lowest pitches you can sustain. Take care not to strain gradually try to make them louder by pressing harder on the belly muscles. Long slides on lip trills or tongue trills can be helpful both going up and down. Since it is possible to squeeze high notes, just singing them without some care and attention to comfort would be a bad idea. Low notes can be swallowed or pushed, if done incorrectly, and that can cause other problems. It’s best to do development of range slowly, a little at a time.

  12. Tune Up

    Most people who have difficulty matching pitch have coordination problems within the vocal system. Singers learn to tune the throat and mouth as a resonating tube to the pitch being sung on various vowels at various volume levels. It is easy to have poor control over all of these ingredients, particularly in specific pitch ranges, and that will effect intonation. Training and practice should take care of this unless the problem is severe.

  13. Pick Up Good Vibrations

    Vibrato is a side effect of a freely balanced vocal system that is neither very tight nor loose. It arises naturally after about two years of vocal training in most singers, as long as the singer does not suppress it. If the vibrato is too fast, too wide, or uneven, something is not balanced in the vocal system . Something is too tight or too loose and the vibrato is reflecting that. A adept singing teacher ought to be able to correct any vocal problems that are impacting your vibrato, but the correction should be indirect.

  14. Develop Relative Pitch

Recognizing pitch intervals is essential for any singer. Hone your skills in our relative pitch quiz.

This article is from our September-October 2011 issue. Click to order!

3 comments

i was singing good but when i started learning singing i sound really bad my throat can;t be able to cover high notes plz help me out of it

how do you become a singer? because i have been singing since i was nine years old and i have always dreamed about becoming a christian singer. like i am a big fan of the newsboys and tenth avenue north, they are a really good i just need to know what to do 🙂

This is what you really need to know if you want to sing with a band: SINGERS’ GUIDE TO THE GALAXY

Your piano player needs to know 3 things:

1. The song you’re singing.
2. What key you sing it in.
3. The tempo you want .

1. The song:
It’s good to sing obscure songs. They’re more interesting than another rendition of “Summertime” or “Funny Valentine”. Piano players know hundreds of songs, but you can’t expect them to know every song ever written. If you want a song done right have a lead sheet made in the key that you sing it. Sheet music is too cumbersome with awkward page turns and unnecessary repeats written out. Lead sheets (melody, lyrics and chord symbols) work best. Lyrics are essential for anything you do rubato. (Out of tempo)

2. The Key:
It’s your job to find out what key you sing the song in. Most male singers can sing in standard keys, but if you strain for the high notes try adding 2 flats to the standard key.
Female singers have to realize that standard keys are for men and sopranos. (Even “The Man I Love” is written in a male key. Go figure.) Women usually need to sing a fourth or fifth above standard keys. Adding one flat or subtracting one flat will put you in a safe range. ( If the piano player says the tune is in Eb – 3 flats, you’ll be comfortable in 4 flats or 2 flats; the same thing applies to sharps.)
Again, the safest way is to have a lead sheet in your key.

3. The Tempo:
“How fast?” means a ticking clock. Saying “Slow” or “Fast” doesn’t tell the piano player anything. Snap your fingers, stomp your feet, pat your butt, anything to give him the beat. (Slow tunes especially need a definite beat to be right.) The best approach is to learn how to count the tune off:
“One _, Two _, One, Two. Three. Four”

…Someday you’ll thank me…

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